Due to some common interests between German and Russian aristocracy ( the Russians even had aristocrats in their past not to mention they had an Empress called Catherine the Great, as great as this German count's heiresses… ), it is not strange that this Teutonic count has understood and even enjoyed Herr S. M. Eisenstein's "Staroye I Novoye". 　　It is not very usual that for the aristocracy to enjoy Bolshevist films full of proletarian demands that put private property at risk or as it happens in this case, a film about the Communist Party's policy on the subject of the collectivization of the Soviet agriculture. Normally this would be perfect gibberish for this German count, but thanks to Herr Eisenstein 's greatness and directorial talent, the hardships of the heroine of the film, Dame Marfa ( Dame Marfa Lapkina ) breached even the thick aristocratic Schloss walls. 　　And that's one of the first remarkable aspects of this oeuvre; in spite of the political subject of the film, the powerful images and lyricism ( astonishing and beautiful shot compositions ), especially during the first part of the movie, preserve the artistic merits entirely while serving a propaganda purpose. The second remarkable aspect of the film is the dichotomy between the old and new, the fight to improve the lot of Dame Marfa and her countrymen. There are many discussions because it is not easy even in Russia to change ancient and conservative customs. There are superb metaphors and social criticism ( illiteracy, bureaucracy, religiosity ) which perfectly fit the film, and last but not least, "Staroye I Novoye", is a kind of archaic documentary about ancient customs established deeply in old Russia, those ones that our heroine must fight against. And there is also a lot about agriculture ( very enlightening for this German count), especially about harvesting and how to fatten Russian cows or pigs ( literally, no pun here… ). 　　Herr Eisenstein had to bear during the last era of his film career, unbelievable censorship and mutilation of his work, as happens with "Staroye I Novoye". The film was reedited and Eisenstein accused of sympathizing with Trostky's policies but fortunately the film was restored and showed by the German-frenchified t.v. channel "ARTE", natürlich!, including an evocative music score by Herr Taras Bujewski, that fits superbly Herr Eisenstein primal artistic interests. 　　And now, if you'll allow me, I must temporarily take my leave because this German Count must buy a tractor for one of his Teutonic heiress.

该剧讲述妈妈和女儿一起追踪婚礼当天逃跑的新郎而展开的追击喜剧故事。

在丛林里的一次秘密军事实验中，机器人欧米加一号突然失去控制，摧毁了指挥他的直升机。科学家马舍受命与一个特别行动小组进入丛林，寻找机器人。以布莱克为首的，代号“巴姆”的小组被马舍蒙在鼓里，贸然闯入了丛林。组员在与欧米加一号的交战中相继丧命，马舍在临终前终于吐露了实情，然而布莱克能够以一人之力战胜无坚不摧的机器人战士吗？在与欧米加一号的殊死搏斗中，布莱克却看到了曾经熟悉的眼神…

在丛林里的一次秘密军事实验中，机器人欧米加一号突然失去控制，摧毁了指挥他的直升机。科学家马舍受命与一个特别行动小组进入丛林，寻找机器人。以布莱克为首的，代号“巴姆”的小组被马舍蒙在鼓里，贸然闯入了丛林。组员在与欧米加一号的交战中相继丧命，马舍在临终前终于吐露了实情，然而布莱克能够以一人之力战胜无坚不摧的机器人战士吗？在与欧米加一号的殊死搏斗中，布莱克却看到了曾经熟悉的眼神…

根据玛莎·威尔斯（Martha Wells）畅销的雨果奖和星云奖获奖系列书籍改编，《谋杀机器人》（Murderbot）是一部科幻惊悚/喜剧作品，讲述了一个自我黑客化的安全构造体的故事。它对人类情感感到恐惧，却又被自己脆弱的客户所吸引。在完成一项危险任务的同时，谋杀机器人必须隐藏自己的自由意志，而它真正想做的只是独自一人观看未来主义肥皂剧，并思考自己在宇宙中的位置。

女主角津崎青叶是个美丽开朗的女孩，在奶奶去世后的一天突然被神秘人士绑架，带到了南美洲委内瑞拉的一个叫做安贝尔的组织里，并成为了一种叫做人机的巨型作战兵器的驾驶员。与她成为好友的黄坂蕾也成为另一人机的驾驶员。此后所出现的一个被称为“虚无”的组织利用人机来攻击各个国家，造成整个城镇消失的“lost life现象”。安贝尔则在世界各地寻找能够驾驶人机的驾驶员与之对抗。 在三年之后的日本，失去了三年前记忆的少女柊 赤绪为了守护而搭乘人机，成为“虚无”对抗者。她为整个事件的关键，赤绪的记忆逐渐恢复，却因为熙芭（shiva）出现陷入了更大的危机…… 动画共12集，融合了原作漫画《人机》，《 人机·续篇》两部的部分故事，并原创了部分内容。

男主角是一位私人无人机承包商，他在工作日内执行秘密任务，然后回到郊区平静的生活。他的妻子和儿子都不知道他的秘密，直到一个告密网站将他暴露在致命威胁之下。一位神秘的巴基斯坦商人认为他应对自己家人的死亡负责，于是追踪到他，一场痛苦的对峙就此发生。

本片不仅仅是揭露了战争的虚伪，也见证了一个善良的人一步一步被谎言和秩序所蛊惑，最终成为一个杀人恶魔。“军人以服从命令为天职”，有多少士兵为了这句伪真理而失去了生命祸害了他人？我们都是被利用的，无论今昔都是权贵争夺利益的棋子。道德是假利益是真。要幸福最终还是要做一个平凡利他的人。

本片不仅仅是揭露了战争的虚伪，也见证了一个善良的人一步一步被谎言和秩序所蛊惑，最终成为一个杀人恶魔。“军人以服从命令为天职”，有多少士兵为了这句伪真理而失去了生命祸害了他人？我们都是被利用的，无论今昔都是权贵争夺利益的棋子。道德是假利益是真。要幸福最终还是要做一个平凡利他的人。

A malfunction at a CIA press event causes a Predator drone installed with an ethical AI personality to go rogue as it attempts to understand its purpose in the world.